Silver Car Crash
Other tracks, like the playfully left-right-panned “Primitive Science” and “Change” have a more grungy, punk-rock feel, with enough reverb to maintain the post-punk vibe. Instrumental “Resource (No Pittsburgh)” and the meandering album-closer, “Blood on Vanessa,” lean very hard into the Bauhaus energy. The tracks feel very late-1970s, early-’80s goth, with the sinister tone of the song somehow beckoning you to dance in the middle of a grimy dance floor.
For Fans Of: Ought, L Shaped Man by Ceremony, Bauhaus