It might be noted that the Wilder estate has authorized a tri-lingual production of Our Town in English, Creole (translated by Jeff Augustin) and Spanish (translated by Nilo Cruz), which opens next week at Miami New Drama.
If the Wilder estate has no problem with the play breaking out of its period piece trappings, why should anyone else?
I wonder what Hoover would have thought about David Cromer's luminous non-period version, which was the longest-running ever production of Our Town.
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If the Wilder estate has no problem with the play breaking out of its period piece trappings, why should anyone else?
I wonder what Hoover would have thought about David Cromer's luminous non-period version, which was the longest-running ever production of Our Town.