Pittsburgh City Paper

Performances solid in Beth Corning’s the waiting room

Also, Pittsburghers can catch Kyle Abraham’s latest in Akron, Ohio

Steve Sucato Sep 19, 2018 6:00 AM
Photo: Eric Rosé
Maria Caruso in “Lamentation”

CorningWorks opened its dance season with the premiere of Beth Corning’s the waiting room. An hour-long dance-theater piece at North Side’s New Hazlett Theater, it has the feel of a one-act play. Jacob Goodman portrays Samuel, a shomer (part of the Jewish religious ritual of Shemira) tasked with watching over a coffined body.

Circumstances leave Samuel not knowing the identity of the person with whom he is sitting, and without a prayer book. With little to occupy his time, Samuel engages in a one-sided conversation between himself and the deceased, who he named Phil; he imagines Phil asking Samuel to recount memories from his life. Through those poignant recollections, we discover how Samuel became the man that he is.  

An introspective work bordering on the surreal, and laced with humor, the waiting room brings to the surface those fearful and uncomfortable things many of us seek to suppress: that which haunts us, the sense of our own mortality, and the specter of death that surrounds us and those we love. The cast, especially Goodman and dancer Catherine Meredith as “the naked lady,” performed solidly. And while the waiting room lacks the emotional punch of past Corning works such as Beckett & Beyond and Remains, like a mental shomer, it sits with you.

Photo: Frank Walsh
Jacob Goodman in the waiting room

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