• Issue Archive for
  • May 12-18, 2011
  • Vol. 21, No. 19
Digital Edition

News+Features

Food+Drink

  • On the Bubble
  • On the Bubble

    Exploring the mystery of sparkling wine 
  • Kaleidoscope Café
  • Kaleidoscope Café

    Kaleidoscope's intriguing menu refracts contemporary trends in sophisticated casual dining

Music

  • Critics' Picks
  • Critics' Picks

    Local appearances by Zachary Cale, Mr. Dream, Ronnie Laws, Eclectic Laboratory Chamber Orchestra, and three experimental solo acts.
  • Hardcore scene vets form Killer of Sheep
  • Hardcore scene vets form Killer of Sheep

    "Anger isn't even a real thing to me anymore; it's just wasted emotion, something you feel because you don't know how to figure shit out for yourself."
  • On the Record With Jason Isbell
  • On the Record With Jason Isbell

    "I like to say it's like -- when you go home with somebody you don't really know, and you wake up and you really have to take a shit. If it's gonna come out, it's gonna come out, but it's way better to wait 'til you get home so you can leave the door open."

On Screen

  • Thor
  • Thor

    Another Marvel hero hits the big screen in this entertaining outing
  • Everything Must Go
  • Everything Must Go

    From the outset, you should know: This is not your typical Will Ferrell comedy filled with pratfalls, but one of those darker, slower character pieces that the normally goofy actor occasionally indulges in. 

    Dan Rush's dramedy is an adaptation of a Raymond Carver story: It starts in a dark place, but moves toward the light. When we meet Nick (Ferrell), an all-American everyman in a downward spiral, he's just been fired, and his wife has left him, locking him -- and all his possessions -- out on his tidy suburban lawn. Nick makes the now-cluttered lawn his new home, boozing and raging, until two new friendships help him re-focus. Across the road is a new neighbor (Rebecca Hall), and happening by out of boredom is Kenny (Christopher Wallace, son of the late rapper Biggie Smalls), a lonely kid undaunted by Nick's pettiness. 

    There's nothing particularly revelatory in Nick's journey: He has to hit bottom; check himself; divest of the past in order to have a future (there will be a convenient soul-cleansing yard sale); and forgive and move on. And, in this virtually single-set study, each character will teach the other something.

    Yet Everything is engaging enough: Nick's situation is relatable -- he's lived as expected, while neither being satisfied nor noticing how off track he's veered -- and the role is not a bad fit for Ferrell. Nick could be where some of his sunnier characters find themselves when life and immaturity trip them up. Starts Fri., May 13. Manor (Al Hoff) CP Approved

  • Winter in Wartime
  • Winter in Wartime

    For 14-year-old towhead Michiel, war is something between a child's game and a reality. In January 1945, he lives in a village in the Netherlands, and he watches the war and the Nazi occupiers from his bedroom window, too young to join the resistance. One night, an RAF plane crash creates a spectacular fireball near his home. And so begins his war game, which of course turns spectacularly real. Writer/director Martin Koolhoven keeps Winter in Wartime lean, intimate and quietly unsettling. When Michiel discovers Jack, the RAF pilot -- barely older then he is -- who survived the crash, he helps him recover in his woodland lair. He trusts no one, except his beloved Uncle Ben, and certainly not his father, the town mayor, who collaborates with the occupiers, or so it seems to a boy who wants a taste of war without knowing how bitter it can be. Koolhoven tells his story with palpable tension, although his last half hour is over-plotted, and his climax is an improbable mess. But until it goes bad, his Bildungsroman makes its point effectively, and it's still one worth making, especially in these patriotic times. In English, and Dutch and German, with subtitles. Starts Fri., May 13. Harris (Harry Kloman) CP Approved

Art

Views

  • Turf War

    City's two women's football teams to collide

On Stage

  • Shining City

    Great direction and acting elevate a dramatically lax work.
  • Antony and Cleopatra
  • Antony and Cleopatra

    With director James Christy the real attractions are sex, violence, betrayal and more sex.
  • Hairspray
  • Hairspray

    Pittsburgh Musical Theater hits all the right notes in this frothy show.

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