• Issue Archive for
  • Jan 6-12, 2011
  • Vol. 21, No. 1

News+Features

  • Steelpan City
  • Steelpan City

    Local woman hoping to use Caribbean drums to revitalize historic opera house
  • Policy Changes

    Duquesne University opens new pharmacy in the Hill.

Food+Drink

  • Tupelo Honey Teas

    Hand-blended teas are a soothing, tasty treat
  • Coriander Indian Grill
  • Coriander Indian Grill

    A new Indian restaurant's expansive menu offers a taste of Goa

Music

On Screen

  • Carlos
  • Carlos

    A nearly six-hour docudrama takes us behind-the-scenes with an international terrorist
  • Hands of fate goose the next Film Kitchen.
  • Hands of fate goose the next Film Kitchen.

    Glenn Syska's most impressive production yet is "Fortunex," a wickedly satirical 2010 piece about a new pharmaceutical that makes poor people think they're rich.
  • Leaving
  • Leaving

    Suzanne (Scott Thomas) lives with her husband and two teen-age children in a gorgeous house in the south of France. But her well-padded ordinary life is upended when she falls for Ivan (Sergi López), a rough-edged Spanish handyman. When their affair is revealed, everything -- quite understandably, even among the genteel bourgeoisie -- turns ugly. Catherine Corsini's melodrama covers familiar ground, with a tale deeply reminiscent of 1940s Hollywood noirs where a star-crossed love affair finds a true path to a gun going off. But, Corsini's film is somewhat more ethereal, with lots of bright sunshine, al fresco romance and an occasionally languid pace. A tale told a thousand times can still be compelling, and most viewers should find an easy affinity with Scott Thomas' quietly devastating portrait of woman rendered both powerful and powerless by an amour fou. In French, with subtitles. Starts Fri., Jan. 7. Oaks (Al Hoff) [2.5 out of 4 stars] 
  • Summer Wars
  • Summer Wars

    Holy head-spin! Mamoru Hosoda's animated feature is a colorful tangle of cyberpunk, Japanese clan history, coming-of-age comedy, a gentle rebuke of contemporary family life, a cautionary tale about trusting technology, an inspiring tale about trusting technology and a rousing we-can-do-it battle in which a deadly villain is defeated when we all pitch in. Briefly, a teen-age math nerd, visiting a classmate's family reunion in the country, accidentally sets loose a destructive artificial-intelligence bot named "Love Machine" in "Oz," the computer-generated cloud that controls everything from gaming and e-mail to banking and city sewer systems. Then it's up to everybody to pool their talents to take down Love Machine. The artwork in this anime ranges from strictly manga-style narrative and painterly moments of silence and light to straight-up, op-art kawaii-kaleidoscopes of an ever-shifting, rainbow-hued cyberworld populated with cartoonish avatars and flying bits of information. Likewise, the constantly shifting narrative tone is initially jarring. But by the final third, the film has settled into a choppy rhythm of its own, and the conclusion wraps all the disparate threads up into a gloriously colorful, family-positive and brain-beats-brawn finish. Dubbed in English. Starts Fri., Jan. 7. Harris (Al Hoff) [2.5 out of 4 stars]

Art

Views

Books

On Stage

Listings

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