• Issue Archive for
  • Oct 15-21, 2009
  • Vol. 19, No. 41

News+Features

  • Mano a Mano
  • Mano a Mano

    Local college instructor Manomano Mukungurutse is on a quest for ultimate truth. That's no way to get tenure.
  • Image Problem
  • Image Problem

    Were cops targeting, destroying cameras during G-20? 
  • Food for Thought
  • Food for Thought

    "It's a little deluded to think that simply by shopping we can change the world."
  • Waiting at the Checkout

    Deal is ready to go, but grocer still hasn't signed lease for Hill store

Food+Drink

  • Easy Street
  • Easy Street

    A relaxing Downtown venue succeeds with inventive bar fare
  • Real McCoy Sandwich Shop

    This South Side institution has been serving up meaty hoagies for five decades.

Music

On Screen

  • Couples Retreat
  • Couples Retreat

    Four couples -- all friends -- endure the comic indignities of beach-resort relationship counseling. Mostly, this lazy, predictable comedy just made me angry, and seemed to last for hours. First, let's stipulate that we're out of fresh jokes about churlish man-boys and the women who put up with them, but this film doesn't even try. It's true that the scenery is lovely -- "like a screen saver," says the most boorish of the men (Jon Favreau) -- but the lovely backdrop of French Polynesia just made me more irate. Watching this crew, which also includes Vince Vaughn, Faizon Love and Jason Bateman, barely try to make a funny, I grew increasingly convinced that the whole film was just a lame excuse to party (and get paid) while soaking up rays in Boro Boro. (What a coincidence: Vaughn, Favreau and director Peter Billingsley are buds from way back.) Toss in a couple of blatant product placements for Budweiser and Guitar Hero, and my disgust was complete. The audience laughed hardest at the jokes about men in tiny bathing suits, so you could probably get the same giggles and save the $10 by hitting a few Web sites. (AH) [1.5 out of 4 stars]
  • $9.99
  • $9.99

    The title of this feature from Tatia Rosenthal, adapted from the short stories of Etgar Keret, refers to the price of a mail-order book purporting to explain life that one character orders.  Needless to say, the slim volume is something of a bust, and viewers shouldn't expect much more fresh illumination despite the film's eagerness to help. But while the take-away messages are familiar (embrace life, be true to yourself, grow up, etc.), $9.99 is entertaining. The lives of 12 residents of an apartment building are interwoven, with the narrative seamlessly flitting from the unemployed cook to the lonely little boy to the sad widower to the visiting cranky angel and so on. The story is set in an unnamed Australian city, and Geoffrey Rush and Anthony LaPaglia are among the well-known natives who lend their voices. The pace is brisk – the film is only 78 minutes -- and there's enough wry humor and slightly surreal moments to keep the viewer engaged. The claymation is purposefully rough-edged, but in this age of digital animation, a feature-length, stop-motion work is a labor of love. Starts Fri., Oct. 16. Harris (AH) [2.5 out of 4 stars]
  • The Other Man
  • The Other Man

    A man (Liam Neeson), happily married for more than 20 years, is stunned to discover that his shoe-designer wife (Laura Linney) has been having an affair. Enraged, he tracks down the Milan-based lover (Antonio Banderas) through trickery and stalking, before befriending him -- the better to learn more about the secret side of his spouse. If you've seen your fair share of domestic melodramas, even the few twists in Richard Eyre's film won't be that much of a surprise. (And I don't need to tell you that digging into secrets of the past is never a good idea.) What will keep a viewer engaged are the performances of these three reliable actors, who must be commended, along with Eyre, for underplaying potentially histrionic material. The conclusion is a bit of a stretch, but you'll likely not mind. Squirrel Hill (AH) [2.5 out of 4 stars] 

Art

Views

  • Read 'Em and Weep

    Library closings are the same old story

Books

On Stage

  • Ella
  • Ella

    Tina Fabrique sings the living daylights out of the role.
  • Wait Until Dark

    It's how Knott gets us to that point that I find amazing.

Listings

Spotlight Events


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