• Issue Archive for
  • Feb 5-11, 2009
  • Vol. 19, No. 5

News+Features

  • Back on the Map
  • Back on the Map

    Residents working with URA to revitalize Polish Hill
  • Power Plants
  • Power Plants

    Wracked by change, Hazelwood tries to put down new roots.
  • Dance Block
  • Dance Block

    Local protest of Israeli ballet company planned

Food+Drink

  • StonePepper's Grill
  • StonePepper's Grill

    Though seemingly calculated to be just another chain, StonePepper's kitchen relies on good proportions and expert preparations to make familiar fare stand out.
  • Morning Glory Coffeehouse

    Morningside's spot for java as well as new treats like "chai latte oatmeal," Rhode Island Coffeemilk and the odd musical guest.

Music

On Screen

  • Coraline
  • Coraline

    For a bright, spunky tweener girl, the only thing worse than moving to a gloomy Victorian home in the sticks is discovering that the house harbors a monster that wants to suck the soul out of her. Such are the trials of Coraline, the blue-haired, snarky star of this eponymous animated feature, adapted from a Neil Gaiman story by Henry Selick. In select theaters, Coraline is presented in 3-D, and the extra dimension really helps make Coraline's adventures into fully realized weirdness. Coraline, which moves at a brisk pace despite its somewhat broody vibe, taps into a number of routine childhood preoccupations and fears. Some of the material is likely to be too dark and scary for younger children, but those older, adjusted (or comfortably maladjusted) sorts who like their entertainment on the gothic but upbeat side should find Coraline to be an engaging tale and visual treat. (AH) [3 out of 4 stars]
  • Asur and Asmar
  • Asur and Asmar

    We've become so used to hyper-realistic computer animation -- with its fathomless depths and perfect shimmering surfaces bouncing light just so -- that any return to "flat" animation is startling. Who lights a candle when we've got the electric light bulb?! But after a few moments, you realize that although a candle casts light differently, it still illuminates, and indeed, offers its own charms.

    So it is with Michel Ocelot's animated fable, which offers primarily two-dimensional images, with some aspects including faces and wondrous objects presented with more depth. After re-adjusting to the flatness and the rather slow start, the viewer can appreciate the richness of the colors, the intricate background drawings and some singularly gorgeous tableaux.

    Ocelot, who made 1998's Kirikou and the Sorceress, tells an original fairy tale inspired by folklore. Long ago, two boys -- Asur, the blond, blue-eyed European, and the darker, Arab child named Asmar -- are raised as friends; Asmar's mother is Asur's nanny. Their paths diverge, when Asmar and his mother return to their faraway land.

    The adult Azur, intrigued by wondrous tales of trapped fairies told by his nanny, sets out for this mysterious land. There he re-encounters his childhood pal, and the two embark on a quest to find the mythical fairy, gaining new insight, overcoming hurdles and dodging danger along the way.

    Explicit in the narrative is much commentary about racial prejudice, as each young man takes a turn at being the despised "other," and the importance of cooperation. Adults may find such bromides overly simplistic, but this is a tale spun for children, though gilded with enough rich, exotic images to keep the (presumably) already enlightened adults marveling. Starts Fri., Feb. 6. Regent Square (AH) [3 out of 4 stars]

  • New in Town
  • New in Town

    An uptight career woman (Renee Zellweger) relocates to rural Minnesota mid-winter to help revamp a dairy-products factory in this fish-out-of-Miami comedy, directed by Jonas Elmer. There's a round of expected jokes about the perils of the frozen North -- everything from ruined Jimmy Choos to exotic but inscrutable Mid-Americana (scrapbooking, VFW halls) and endless work holidays related to recreational killing of woodland creatures. Only somebody buried in a glacier for 100 years would fail to guess that our heroine soon finds the locals to be good-hearted; the blue-collar single dad (Harry Connick Jr.) a sensitive dreamboat; and the factory and all its hard-workers worth saving. It's harmless, I suppose, if you don't mind a snowstorm of clichés and jokes that revolve around how "weird" completely normal people are. My tolerance for the endlessly mugging Zellweger is low, so I took my comfort from the supporting cast. This crew includes Siobhan Fallon, Frances Conroy and J.K. Simmons, all of whom gave the local yokels more dignity than any Hollywood scriptwriter bothered to. (AH) [2 out of 4 stars]

Views

  • Bowled Over

    Reflections on Super Bowl XLIII

Books

On Stage

  • The Seafarer
  • The Seafarer

    There are few directors in this city who know comedy as well as Tracey Brigden, as she demonstrates with this fast-paced and sure-footed evening.
  • Mouth to Mouth

    There are several low points, too, painfully embarrassing for the various characters, like ripping off emotional flesh.
  • The Male Intellect: The 2nd Coming

    How he gets there from witless one-liners about stereotypical male and female behavior, I'm not sure.

Spotlight Events


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