• Issue Archive for
  • Mar 27 - Apr 2, 2008
  • Vol. 18, No. 13

News+Features

  • Breaking Up a Home
  • Breaking Up a Home

    For many neighborhoods like Hazelwood, tearing down buildings is all anyone can think to do
  • Animal Rights: Activist, former animal liberator to speak at Pitt

    In 1997, activist Peter Young was part of a road trip from Washington state to Florida with a purpose: to liberate as many animals as possible from fur farms, and release them into their natural environment. After spending two years in prison, he's still trying to make a difference

Food+Drink

  • Piper's Pub
  • Piper's Pub

    At this South Side Brit-pub, bangers feature as prominently on the menu as hamburgers.

Music

On Screen

  • The Pittsburgh Jewish-Israeli Film Festival
  • The Pittsburgh Jewish-Israeli Film Festival

    The annual festival offers two dozen films from Israel and around the world representing Jewish experiences from the comic to the dramatic to the inspirational.
  • Paranoid Park
  • Paranoid Park

    He's rarely done it as effectively as he does here with Alex (Gabe Nevins), a disaffected Portland skater teen whose dream of riding the rails goes horribly wrong. Van Sant is a maddeningly indulgent director, especially when he breaks faith with his characters. This time, perhaps because he's working from a novel (by Blake Nelson), he gets it right: You grieve for Alex because he's a decent kid who just needs a mentor to bring out his strengths. At one point, Van Sant films the skateboarders in slow motion, not as a cliché, but seemingly to contrast the hasty indifference of adult life with the more contemplative world of teen-agers. [3 out of 4 stars]
  • Married Life
  • Married Life

    Bored middle-aged Harry (Chris Cooper), rather than put his loyal wife Pat (Patricia Clarkson) through a painful divorce, decides to humanely poison her. Then, he can marry his beautiful young mistress, Kay (Rachel McAdams), who has also aroused the interest of Rich (Pierce Brosnan), a committed bachelor and Harry's best pal. Set in an unnamed U.S. city amid superb 1949 upper-middle-class period detail, Ira Sach's melodrama offers fine understated performances as well as nods to the Golden Age of stylized Hollywood domestic-crisis films a la Hitchcock, Sirk and Ray. Sachs buttresses this affair-of-the-heart feature with twists of thriller and sardonic comedy of manners. But where the story, with its stunning betrayals, ought to crackle and wound, Sachs' deliberateness and restraint add distance to what should be prime entertainment. Starts Fri., March 28. Manor (AH) [capsule review] [2.5 out of 4 stars]
  • Run Fat Boy Run
  • Run Fat Boy Run

    Don't be fooled by the poster pimping funny Englishman Simon Pegg, the clever bugger who helped bust open the zombie canon (Shaun of the Dead) and sent up the action-cop genre (Hot Fuzz). This romantic comedy is strictly by the book: Dumb guy (Pegg) loses perfect girl (Thandie Newton), who then finds a new man (Hank Azaria), who seems awesome but is revealed to be a cad. So, the two men take to battle, in this case, running a London marathon, in order to prove ... well, something. There's the odd chuckle, but these two funnymen plus Irish-comedian co-star Dylan Moran deserve a sharper script and a less hackneyed story. (Which also features, in the seen-too-often department: extra-cute kid; goofy Indian neighbor; upscale cupcake bakery; short-shorts jokes.) Former Friend David Schwimmer makes his directorial debut. Starts Fri., March 28. (AH) [capsule review] [2 out of 4 stars]
  • Teeth
  • Teeth

    Mitchell Lichtenstein's indie feature, a dark comedy about a teen-ager named Dawn who discovers she has a toothed vagina, is an off-beat hybrid of ancient myth, domestic horror and female empowerment. Also in the mix, a critique of teen-chastity programs and a wink at eco-thrillers (it may be just a coincidence that Dawn lives near a nuclear plant). This balancing act is sustained on the slender shoulders of Jess Weixler, who delivers a more-sensitive-than-than-this-genre-deserves portrayal of the frightened, then emboldened young Dawn, who discovers her anatomical adaptation during a sexual assault. Lichtenstein keeps the plot simmering slowly and, for the most part, doesn't sensationalize or freakify the sympathetic Dawn. Teeth has the occasional splash of exploitative gore, but as you might expect, it's the men who get hurt, and the bleeding is pretty localized. Starts Fri., March 28. Harris (AH) [capsule review] [2.5 out of 4 stars]

Views

  • This Just In: March 26 - April 2
  • This Just In: March 26 - April 2

    Highlights from the local TV news: A story reporters can sink their teeth into ... The quest for the right bra

Books

On Stage

  • Assassins

    Director Jack Allison and musical director Jeffrey Sarver get one of the best-sounding Assassins ever out of this fiercely talented student cast.
  • Flight
  • Flight

    This production is lively and colorful, and strikes a few nerves of its own, but also more than its share of jarring dissonances.

Spotlight Events


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