Very cool article....Have a Nice Day!!!!
Wow - I didn't know him all that well, but RIP Karl.
Dear Ann and Amy
This is such an inspiring and uplifting story. I admire both artists and their contributions to this country. I saw Ann perform in Western Nebr. and Central Ill. She is a really an incredible talent and great lady. I remember speaking with her at both concerts--It was a great conversation. Thanks for all your great musical and social work over the years and Best wishes to you, Amy, and all your friends and family for 2017!
Lyndsey Smith & Soul Distribution's strength is defined in their live performances. They have yet to disappoint me with what they bring to the live stage. The energy that they draw from is akin to what the R&B and Soul artist ,of the 60s and 70s, would serve to their audiences through their live shows. The tight driving melody from the band supporting harmonic soulful vocals is, in my case, just what the Soul Doctor prescribed. Pittsburgh R&B
Pittsburgh with its Huge Student Population has to become more active and more vocal. I would like to see more public venues allowing gatherings and open discussion of news events both nationally and locally within the city. Point State Park and Mellon Park should be a haven of activism and music. Academics should always be your first priority but change will never come without activism. Be Vocal and Be Proud '
Attention: Mike Shanley
I am writing a book about George Cory and Douglass Cross, who wrote "I Left My Heart in San Francisco."
You quoted Richie Cole as saying: I blow the saxophone as a vocalist. I tell a story. I Left My Heart in San Francisco does not have a trumpet solo, a piano solo and a bass solo. It would ruin the whole thing. Its a message, a short story. You want a novel, you listen to John Coltrane!
This is an apt quote that I want to use. Did Cole say anything else about the song? How can I reach Cole to ask him to elaborate?
Thanks for your help.
Good article! Richie has always dug pretty melodies [Richie, remember Duke Pearson's chart of Time After Time?] and I look eagerly forward to hearing these ballad tracks.
I went to school with his mom at Jefferson Community College. We talked almost everyday and she couldn't stop talking about her son. One day we got on the conversation about music. This was back in 1998 or 1999. She had mentioned her son was a musician and she could get me a autograph. I declined. "Most people don't amount to anything from Steubenville". She told me to look them up. The next day she asked me again if I wanted a autograph and I respectfully declined. She was a little mad but she understood. We still talked everyday in the computer room till I left in 1999. She wouldn't talk about anything except her son and how well he did. I'm glad the hard work paid off.
Another interesting anecdote about WDUQ, back when they were at Duq U.
I was called by a guy named Humphries to work on one of their Scully reel to reels. We had three at Y97 (ask Sean McDowell - he used them a lot) and I was pretty good at troubleshooting them. He had known me from my stay at Opus One working in the shop for Tasso...
Had some issue with the capstan drive. So I find that the power xtor for the servo is bad, find some old flyback xtor in an old TV they had in pieces in the shop area and get it going.
So I'm in the lobby with the chancellor and on the air monitor I hear they are interviewing some old jazz/blues dude about his recordings. The host, in the typical hoddy-toddy voice asks what his motivations were for using what seemed to be a technique for modulation
"Where you thinking of a diatonic pivot chord for the modulation?"
In a husky, bourbon-laced voice:
"I was thinkin' 'bout nekked wimmen..."
I thought the chancellor was gonna pass out....
Interesting... you mention getting the new equipment working at Bedford. Should been there with Doug, Peter, Mikel, Michael, Mary Pam, and I back in the late 80's during the move to Chatham...
I recall Doug Bostrom - then GM and also Chief Engineer - climbing Andy Pato's tower to tighten ground straps on the Shively 4 bay.
Andy was a local ham radio guy whose tower was also at Hazelwood so we moved the transmitter/antennas to his hamshack (much cheaper rent) and were running under a temporary CP from FCC for being only 85 feet AG. We were so close tot he ground that during wet weather you could hear the AM noise in the chain link fence (sorry Mythbusters - it's true).
When you shut the fluorescent lights off in the hamshack where the transmitter was the ends of the tubes would still glow and you could put your finger on the glow and drag it across the bulb - cool! (NOT)
I recall the Flamethrower (that's what they call the "new" RCA BTF10 Doug rebuilt on his kitchen table ) going down about 2 weeks after getting back on the air at Chatham. This link to a pdf can explain why it was called that (Peter - the pic may freak you out a bit):
It would do what we called "bipping" - you'd raise the power and poof off the air it'd go. Doug had a collapsed lung and put me in charge - I called up Amil at WQED (I believe that was his name) and he came up to Hazelwood. "Ya gotta bad load..." We mentioned it was a new 4 bay antenna... "I don't care ya gotta bad load..."
Ended up he was right. Andy climbed the tower - ya hadda stay away from the base, Andy had a penchant for dropping large wrenches - and sure enough, about 20 ft of the new Andrew 1-7/8 transmission line was fried....
There's a jpg of a 3D model of the transmitter site on my website I did of the tower farm and the new tower that we wanted to put up:
The ACAD drawing if you have autocad or similar - http://ajawamnet.com/ajawam4/trans.dwg - done in 1992, on a DOS version of ACAD 10 with a monochrome 14" monitor and no mouse; all command line. This was for a court case that was filed by one of the tenants of the tower site, claiming we would be in the fresnel zone of his towers lessees. Turn out he was just bulling WYEP to get back on the 250' tower WYEP was originally on (back when the shut Cable Place). I recall Mary Pam getting the new Continental transmitter and eventually moving back.
I recall the Chatham "broadcast furniture" in the production room was actually kitchen cabinets (turns out 19" rack gear/rails fit quite well). I remember crawling thru the tunnelss under the quad running the STL cables to the library.
Spent many a long night at Chatham and Hazelwood. Learned a lot - for instance that packing tape, when layered up about 4 times, is about 11pF - how we fixed the plate blocker for the final tube after a lightning hit - pic of a similar tube on my marketturd site:
BYW - those are Continental transmitters. I had those at Y97 (also at Hazelwood - how I met Doug)...
I do recall working at Hazelwood when the fire station at the bottom of the hill was robbed. A Pgh police LT saw me there at dusk. He rolled the window of his cruiser down and said, " You come up here much?"
I'm standing there holding a large blower for the final cavity... "Yea..."
"You come here at night?"
"You gotta gun?"
"Uh...no..." I stammered.
"You an f'ing asshole...." as rolled the window up and drove away...
Hear "Understood" in a live, acoustic format HERE https://youtu.be/gMCXweGsEZo
Great inspiration for others! I will definitely share this! Keep doing your thing Hardo! Thanks Charlie and CP!
Great you're using this experience to help others! It should be more comments, especially for the Base you're trying to reach The Millions of followers and you tube audience!
To help combat bullying: The rhythm and rhyme of songs can help teach kindness and tolerance.
“Be a Buddy, not a Bully,” is a popular song on YouTube with over 7700 hits so far. http://www.youtube.com/watch?v=Or7WPUtUnRo
where jimmy wopo
This story has been sited on Wickipedia, I came across it while looking up Dick, who I a going to see next week (July 23, 2016) I didn't know Dick was having so many medical problems. This will be my first time seeing him.
Hope he has been able to get the help he needs without having to tour to do it. But I will gladly pay the price of admission to help and see this legend live.
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